“As poetry moved slowly off the tongue and onto the page the visual appeal of an approximately square field of black text on a sheet of white paper must have been impossible to resist. Which is what the sonnet is, first and foremost: a small square poem. It presents both poet and reader with a vivid symmetry that is the perfect emblem of the meaning a sonnet seeks to embody… so a sonnet is a paradox, a little squared circle, a mandala that invites our meditation.”
— Don Patterson
via Malcolm Guite, Sounding the Seasons
The beginning of my sonnet craft will forever be inextricable with the sonnets of Malcolm Guite. He is my muse and my mother, feeding me inspiration and strong food. Publishing these sonnets here is an invitation to you into my mandala, and a prayer for improvement for me. Please give me feedback if you are so inclined.
I enjoy the order of it, the game of saying something just so while striving to say something more than fun. Am I just clever or have a dug a little deeper than rhyme and rhythm? Have I said something worth saying? I’m still unsure, but it IS fun! And often it is revealing to me. The meditation of the making is more than enough to keep going. I hope you enjoy.
Blue Whale Buffet
Blue whale, biggest ever born behemoth,
Whose bite’s much softer than all those who prey,
Whose song sends echoes far below green froth,
And whose serenity seems to us say,
“Can you have trust as one so big as I
Must have to grow so large off tiny krill?”
You, whale, so massive, look me eye-to-eye,
And share with me a portion of that which will
From remnants grow beyond the dinosaurs.
Give me heart beats for miles that thrum with hope–
Mine and ours, as we float and one day soar.
For now, receiving with more “thanks” than “nope”
All that’s given from your creator’s hand,
And not despising when we can’t or can.
(January 21, 2019 After the Wolf Moon Lunar Eclipse)
Did you realize you made this pink moon trick?
And is it blasphemy to wonder if
The God of all the universe might pick
The constants, hold their decimals from shift,
Then let the rest unwind so unimpinged?
Are you allowed to be surprised by all
You’ve made? Like this moon now shown blood tinged?
Would that offend someone who couldn’t call
Themselves a Christian, or do only those
Self-proclaimed comprehenders really know
Why you designed eclipses white or rose?
Creation made but un-enjoyed — a show
That could be pure delight but willed by most
To be dumb fact or some machine-god’s ghost.
Being Seen Seeing
I caught your eyes on me when my own eyes
Were curiously cast and caught on you,
There seated by whoever was that guy
In whose car you o’er the river flew.
And two lanes to your right I glanced across
To see your pretty brake light tinted face,
That’s when perhaps you knew and so you tossed
Your own inquiring look that shrank my grace.
But not before we shared a second locked
As one in two, disarmed and not unsure
Of being seen seeing and yet un-shocked.
I know because you looked again once more.
On eastward slopes of Whitman’s river span,
We knew in silence what no mind could plan.
(Prohurus is the legendary assistant to John the Revelator)
His words came slowly from a twisted face,
Shaped not by pain but by un-quenched desire.
With all his might he fought to find the space
In which the words and visions would conspire
To full reveal the depth of what he saw
When darkness burst with shining and he went
With Him who called him by his very awe,
On up to where the veil between was rent.
But how to say it well when now was here
And then was all of it in instant blast?
The seals, the lamps, the bowls and holy fear
The beast, the fire and all the crowns off-cast.
John wrung the words from dreaming, shaped them hour
By hour, and we, the channel of this pow’r.
Beside Interstate 90 Outside of Sioux Falls Almost Twenty Years Ago
I’m going back to South Dakota soon,
To see the prairie’s amber waving grain,
To stand beside the road and sing a tune
Of ocean’s swirling down history’s drain
But leaving here these waves, this roar and span
For eyes to cast across and somewhere lose
Their place to find it ‘neath their feet again—
Where Earth is solid but she wants to choose
A much more liquid state – to come alive
And shake me off my feet. Do you want to dance?
Shall I fall down on my knees? Should I strive
For footing in these waves or lose my stance
To swim in wonder and Dakota soil –
To dive down deep below this standing’s toil?
Haddonfield is Flooded
A geyser of the sweetest joy had built
And built the pressure under their school floor
Until it burst at three oh three and spilt
Across the street and into all the stores.
The flood of smiling children gushing out
Undid whatever dams or dikes inside
Me still intact to hold it back – my spout.
So when their Friday faces were untied
My own resistance too was overcome.
Surprised by joy again with old C.S,
Surprised this could amount to such a sum,
Suburban streets could yield from me excess.
A single tear enough for evidence
That life was better than my darkened lens.
2 responses to “So I Started Writing Sonnets”